Offset
A little threat, yet troublesome, has entered me, I need more tea! My former self: a silhouette, offset a bit, I'd like to quit.
Enjoying nature and photography.
A little threat, yet troublesome, has entered me, I need more tea! My former self: a silhouette, offset a bit, I'd like to quit.
Blurry shapes are stirred around, mixed in motion, give a notion of the hidden world above. Day and night are intertwined and realigned by breathing air: a little water love affair.
Barcodes are commonly used for the identification of items. Many standards exist but, in general, barcodes must be universal, unique, and easy to process. The standardization of barcodes grants great benefits, not only for everyday shopping: A unique identifier facilitates and simplifies the ordering and processing of goods all over the world.
Similarly, the distinct identification of organisms and their relationships is one of the major goals in the life sciences. What would be more suited than a barcode – a barcode of life?
Many genetic regions have been proposed for the use of being such a barcode. For eukaryotic species, the 18S gene is most commonly used today; a rather short fragment of ribosomal RNA that is evolving slowly and allows the reliable identification of most species. It is surrounded by highly conserved sequence regions that simplify the sequencing process. By this, the analysis of 18S RNA from the environment delivers a comprehensive overview of all present species, equivalent to scanning a barcode of all organisms.
Break the severity of life, take the sincerity and strive to live, to give, to play around, to stray away, to be unbound.
Surreal dreams in pink and black appeal to me, insomniac part-time, I mime the creatures of the dark, embark on voyages into the mind, without a crew through untrue realms to leave behind mankind. Retrieve the unconfined autonomy, the undefined metonymy of life. I like it here, revere the fear of unknown years to come, of jointly tears, of joys alone, of memories in stone engraved, the best is saved in our hearts until the end when we transcend to afterlife.
Long summer days. I take my bike through fields of maize, enjoy a hike through nature which decays and fades below the sun, without real shades. Water is sparse, efforts a farce; records are shattered every week, the future seems a little bleak. Some keep silent, some play dumb, some object, but their effect seems paltry, like a tiny drop into an ocean, and they stop too soon: there is no change. Another flood, another slum, 1000 dead, and thousands fled, a joke compared with what's to come. It will be millions without bread. It will be billions' awful threat.
The internet is large and most content is shallow. Navigating clickbait, fake news, and social media is exhausting. But sometimes, it also yields something precious, something that is a worthwhile the investment of time, or something that evokes true emotion.
For me, this is mostly the case when someone has mastered his or her art and excels in what they do, such as these three hidden gems I found recently:
They come and go light afterglow, shine bright despite their fragile form, transform the heart and pull apart what is below.
I’ve been bouldering a lot (on plastic) recently and it feels great to be back in form! But the last time climbing is a looooooong time ago. At least until last Sunday morning, when I finally managed to squeeze in a short climbing session with my long-time friend and climbing partner. Everything is different outside: Bad footholds, fragile sandstone, and being on a rope high above the last clipping point. Sometimes, a slight fear of falling creeps into the mind. Sometimes, even the good footholds seem tiny and slippery.
Basically, it’s the same as with my current work project: It feels a little insecure, but you keep pushing, little by little, one move at at time. Take a deep breath, do secure movements, calm down, climb high. And luckily, in climbing and in life, there are people who catch me if I fall. Thank you.
I’ve been at a scientific meeting recently and (again) was surprised of the disconnect that sometimes occurred between a speaker and the audience. If the listener (me) does not understand a complex subject that is explained, it is not solely on me! Don’t blame me that I could not follow your cluttered slides and your jumbled train of thought! Sure, sometimes I will be uninformed or not smart enough. But sometimes it is on you, dear speaker.
Explaining an easy concept complicatedly is easy. Explaining a complex concept concisely is artistry. And while I’ve set through many talks cluelessly, I admired the few speakers who mastered the art: The ones that make you feel clever just by listening. The ones that explain intricate science so well that you think you designed the experiments yourself. The ones that let you rediscover what they did and make it seem like what they are doing isn’t difficult after all.
Giving a good talk boils down to the same things that are important in photography: The subject needs to be clear. Leading lines are necessary to guide the viewer. Help them navigate the frame. Unimportant stuff is left out (and there is a lot of unimportant stuff). And everything left in has to support the main subject. Tell a story.
The following pictures do not follow these rules at all, but I hope my own talk did at least…